At Ocean Way the KM 54 has been put to great use recording acoustic guitar and strings for the likes of Larry Carlton, Ry Cooder, Yo Yo Ma, Joe Pass, Kenny Burrell, and Eric Clapton. The OW-K54 model, when set to a cardioid pattern, is based on Sides’ favorite KM 54, and sports an amazing transient response. Introduced in 1954, the Neumann KM 54 is a cardioid, end-address small-diaphragm condenser, and utilizes the Telefunken AC701 subminiature triode tube. The OW-K53 emulation, when set to an omni pattern, is based on a KM 53 from Allen Sides' personal collection and captures the original’s unmatched transient response. The KM 53 has an omnidirectional capsule derived from the M 50, but has a very different sound due to the body configuration. Released in 1953, the Neumann KM 53 is an end-address small-diaphragm condenser that uses the Telefunken AC701 subminiature triode tube.
OCEAN WAY STUDIOS PLUGIN СКАЧАТЬ MOVIE
Allen Sides chose this as the best M 50 specimen in his collection, as many famous movie scores have been recorded at Ocean Way Studios using this mic including E.T., Superman, 1941, Jaws II, Star Trek, Taxi Driver, and countless others.
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The OW-50 model is based on the earlier M 50a variant with serial number 294.
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This design produces a nice high-frequency rise and an off-axis response which becomes more directional at higher frequencies resulting in the sound the M 50 is known and loved for. The Neumann M 50 is a very unusual omnidirectional small-diaphragm condenser mic that features a capsule mounted on a plexiglass sphere. Blige, Stevie Wonder, Burt Bacharach, and Brian Setzer. Notable vocalists that have recorded with this mic include Faith Hill, Mary J. The OW-800 emulation captures the prototype’s slightly warmer character than a production C800G. Notable artists that recorded with the M 269 at Ocean Way include Kenny Loggins, Little Richard, Alanis Morissette, and Johnny Rivers.Īllen Sides and Ocean Way were involved in the very early development of the famed Sony C800G mic, and Sides was given two C800G prototypes for listening tests. The Neumann M 269 was designed for the German broadcast market and is a variation of the Neumann U 67, using a AC701k tube instead of an EF86 and offering a variable pattern switch. This mic has been used to track vocalists from Neil Diamond and Barbara Streisand to Phil Collins and Joni Mitchell. The OW-12 #2 captures this favorite, the same one Sides’ used to record Frank Sinatra’s vocals on his 1984 album, LA is My Lady, as well as the all-star choir for 1985’s "We Are The World."īased on the Neumann M 49 - a slightly smoother, less-colored sounding U 47 due to a more transparent headbasket - the OW-49 faithfully emulates this late-’50s Ocean Way favorite. This AKG C12 is warmer and smoother than #1, highlighting the varying flavors of this classic, as it could be custom-tuned at the AKG factory to achieve different sensitivities and frequency response curves. One of the most complex and intricate large-diaphragm condenser capsules ever made, the OW-12 #1 emulation is an exacting model of this classic, even capturing its classic 10 kHz-ish “bump” and high-end sheen and sparkle without accentuating sibilance. It’s also his prefered mic for lush, breathy vocals. Released in 1953, the AKG C12 is almost always Sides’ choice as a drum overhead. The OW-47 expertly emulates the original mic’s large condenser K47 capsule and a VF14 tube, giving you the same mind-blowing detail and legendary sonics for acoustic instruments and vocals.
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Allen Sides has acquired - and sold - more than 400 U 47s, and the OW-47 is based on his favorite, serial number 2679. Simultaneous mic models for phase coherent mixing of multiple virtual mic models from the same physical microphone before or after trackingįor over 70 years, the Neumann U 47 has stood the test of time as the ultimate studio mic. Re-Mic Sphere tracks and select mic type, polar pattern, and other settings before or after trackingĪdjustable proximity effect for tweaking bass response Polar pattern modeling for the three-dimensional response of target microphones, polar patterns, and other off-axis characteristics of vintage microphones Realtime UAD Processing with Universal Audio’s Apollo interface for extremely low latency
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Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ DynamicsĪbout Find a Dealer Downloads Blog Support Log InĪccurate emulations of vintage microphones from Allen Sides’ world-renowned collection, including mics from Neumann, Sony, AKG, RCA, and more Thunderbolt 2 Option Card Thunderbolt 2 Option Card